Ten years where productions don't usually go. Paramount+, Amazon Prime, national tourism boards. Budgets to ~€500k, crews to 40.

A 72-hour live event broadcast to a national audience.

5-part entertainment series for Bayern Tourismus.

A 6-part reality series carried to 4,130 metres.

20 teams, 12 countries, one of the most complex builds of the track.
The same producing, a different set. Camera moves planned in Blender, scenes rendered with Seedance, every prompt and every mistake documented. Spec spots and technical tests, new work every week.
| 2026 | Iron Cage / 1M Kilo Challenge | Executive Producer · BILD · Cologne |
| 2025 | Mission Bayern | Executive Producer · Bayern Tourismus · German Brand Award 2026 Gold |
| 2024–25 | German Bundestag | Video Producer, political communication |
| 2023 | Iron Summit | Executive Producer · Paramount+ → Amazon Prime · ~€400k |
| 2022 | Top Spot Award | Executive Producer · Switzerland Tourism · ~€120k |
| 2021 | Travel Japan | Executive Producer · JNTO · Turkish Airlines · ~€90k |
| 2020 | Sunspot Award | Executive Producer · Usedom Tourismus · ADAC Tourismuspreis MV 2021 |
| 2018 | Falcon Lens Award | Executive Producer · Abu Dhabi · ~€450k |
| 2013 | Filmemacher Deutschland | Founder · ~30,000 members |
Ten years across continents and climate zones, from Himalayan altitude to desert heat. The moments that made all of it matter.
Big productions rarely fail on the idea. They fail on everything around it: the financing, the logistics, the day the weather turns.
For over ten years I've produced large-format film across Europe, Asia and the Middle East, including a six-part series for Paramount+, later picked up by Amazon Prime, shot at 4,130 metres in the Himalayas, plus award-winning campaigns for national tourism boards. Budgets up to ~€500k, crews up to 40 people. And I built Filmemacher Deutschland, the largest German-language film community, 30,000 members, from scratch.
Since 2026 a growing part of my work is hybrid. Some of it is shot, some of it is generated, and often the two end up in the same film. Public Impact is the studio for that side. However a film is made, you are talking to the person who produces it, not to an account manager.
Tell me about the production. Scale, location, broadcaster, timeline. I'll tell you how it gets made.
Or write directly: [email protected]